whatdoyouwanttobelieve:

juli-gomez:

MARIPOSAS EN LA CABEZA:
Yo soy de las personas que pienso que el amor, no se siente ni en el estomago ni en el corazón, el corazón es tan solo un órgano que bombea sangre que siente gracias a los nervios, los cuales están conectados con el cerebro el cual se encuentra alojado en la cabeza, el amor no es mas que el gusto exquisito de nuestros sentidos por las feromonas del otro, eso es lo que nos hace que nos guste tanto alguien, que nos sintamos tan cómodos con su compañía; En otras palabras, el amor esta en la cabeza no en el corazón.

concuerdo completamente con esto.

whatdoyouwanttobelieve:

juli-gomez:

MARIPOSAS EN LA CABEZA:


Yo soy de las personas que pienso que el amor, no se siente ni en el estomago ni en el corazón, el corazón es tan solo un órgano que bombea sangre que siente gracias a los nervios, los cuales están conectados con el cerebro el cual se encuentra alojado en la cabeza, el amor no es mas que el gusto exquisito de nuestros sentidos por las feromonas del otro, eso es lo que nos hace que nos guste tanto alguien, que nos sintamos tan cómodos con su compañía; En otras palabras, el amor esta en la cabeza no en el corazón.

concuerdo completamente con esto.

(Source: la-libertadcomienzaenelalma)

(Reblogged from universeobserver)
(Reblogged from midwest-monster)

art-is-art-is-art:

House with Shingle Roof, Egon Schiele

(Reblogged from liquidindigo)

loveyourchaos:

I’ve been very busy lately and so has my mind. I’m doing well. I’m doing what I can. I’m grateful that I’m getting sleepy and should be able to drift off soon. I’m grateful for so much.

(Reblogged from loveyourchaos)

7knotwind:

H V LUKAS 
Excerpts from Revenge Series: “Neptune”. 60 x 130cm. Color added with digital “water color”.
crayonic on tumblr

(Reblogged from hidinginthesleevesofmycoat)

lesliaisonsdemarieantoinette:

LES LIAISONS DE MARIE ANTOINETTE :

"UNTITLED" BY CY TWOMBLY, ROME 1960

(Reblogged from hnn87)

writeonwhite:

Gego (Gertrud Goldschmidt)

Venezuelan architect, sculptor, draughtsman and printmaker of German birth. She studied architecture at the Technische Hochschule in Stuttgart until 1938; one of her principal teachers was Paul Bonatz. The following year she travelled to Venezuela, where she combined her artistic career as a sculptor, draughtsman and engraver with teaching work. In 1952 she adopted Venezuelan nationality. She later began experimenting with the conversion of planes into three-dimensional forms, exploring the media of drawing, watercolour, engraving, collage and sculpture and integrating them into architectural spaces in defiance of artistic conventions. A pioneering example of her integration of art and architecture was her design (1962) for the headquarters of the Banco Industrial de Venezuela in Caracas, which comprised a 10-m tower of interlocking aluminium and steel tubes. Later works that explored the form of the web included Trunk No. 6 (wire, 1976; artists col., see exh. cat., p. 114). She participated in numerous one-woman and group shows in Venezuela and other countries, and in 1980 she was awarded the Premio Nacional de Artes Plásticas in Venezuela. She executed over 850 sculptures, 600 drawings and 60 engravings during her career.

MoMA

(Reblogged from bizarredisco)

les-sources-du-nil:

Gillian Wearing

Homage to the Woman with the bandaged face who I saw yesterday down the street”, 1996

(Source: crackedlensphotography.wordpress.com)

(Reblogged from bizarredisco)
bizarredisco:

koukoudreams:

referenceartgallery:

BANKLEER, Hare Explaining Pictures to a Dead Beuys, 2009

bizarredisco:

koukoudreams:

referenceartgallery:

BANKLEER, Hare Explaining Pictures to a Dead Beuys, 2009

(Reblogged from bizarredisco)

houghtonlib:

Bodoni printing house. Designs for ornaments and non-roman type, ca. 1800.

TypTS 825.18.225

Houghton Library, Harvard University

(Reblogged from bizarredisco)